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影片信息
- 片名:诱饵2019
- 状态:HD中字
- 主演:Morgan/Val/Baker/Georgia/Ellery/Martin/Ellis/Chloe/Endean/Stacey/Guthrie/Jowan/Jacobs/Giles/King/Edward/Rowe/西蒙·谢泼德/特里斯坦·斯特罗克/玛丽·伍德维恩/
- 导演:马克·詹金/
- 年份:2019
- 地区:英国
- 类型:剧情/
- 时长:内详
- 上映:2019-02-09
- 语言:英语
- 更新:2025-04-20 21:04
- 简介:康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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剧情简介
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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4.0 少年魔法师特别篇:魔法师归来/Wizards Return/
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剧集
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10.0 Men without Women/无女之世/
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3.0 绫濑遥/松坂桃李/初音映莉子/皮埃尔·德隆尚/村上弘明/
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8.0 宫泽佐江/美山加恋/长谷川初范/中西智代梨/秦瑞穗/中村龍介/茂木忍/谷内里早/菊地燎/留衣夏/工藤美樱/北原里英/坪内守/相岛一之/横山由依/北村岳子/松田祥一/大野拓朗/入山杏奈/松山優太/波冈一喜/木崎由里亚/大沼遼平/江笼裕奈/中田美優/武藤愛莉/加藤未和/儿玉遥/中川真桜/木野山ゆう/仲原舞/和田清香/
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豆瓣高分
5.0 英格烈褒曼的私语(港)/Ingrid Bergman: In Her Own Words/
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6.0 无人的女儿海媛(台)//他和她的白日梦(台)//惠媛//Nobody’s/Daughter/Haewon/
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1.0 Jigarthanda Double X/
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豆瓣高分
2.0 Those/Happy/Years//往昔欢年/
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10.0 At the Bus Stop Until Dawn/
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7.0 吉永小百合/大泉洋/永野芽郁/寺尾聪/宫藤官九郎/田中泯/江原由希子/枝元萌/